[ he's had a chance to get more accustomed to the cognitive dissonance, so now he slides his arm more firmly around Charles's back and takes them for a quicker turn across the floor. fancy footwork~ ]
[ something that's missing is the sensation of Charles in Erik's mind as something separate from his physical presence, what with the two currently functioning as one. his smile is, perhaps, a bit more all-encompassing than usual. ]
[ the pace he's leading them in varies, a few more turns but mostly kept simple. he's aware when the movements and vibrations of the instruments change even though the music doesn't, but he's not feeling any urgency. ]
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
Seriously, have you ever considered giving lessons?
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
I know how lucky I am to have this.
no subject
no subject
It's a work in progress.
no subject
no subject
no subject
no subject
I think the orchestra is taking a break to put themselves back together.